Showing Records: 101 - 120 of 3872
“According to the Bible: The Negro is a Beast” (I), undated
Act II, III bound score
A collection of music manuscripts and scores for orchestra, chamber music ensembles, opera, voice and solo instruments by composer and former Northwestern University School of Music professor Wesley LaViolette. The colleciton also includes a small amount of La Violette's papers including three books.
Ad Te Domine, Levari (Psalm 25); Qui Regis Israel (Psalm 80), Dominus Regit (Psalm 23), Cantate Domine (Psalm 96), undated
2 leaves (6 pages) in black ink
Ad te Domine, levari (Psalm 25); Qui Regis Israel (Psalm 80), Dominus Regit (Psalm 23), Cantate Domine (Psalm 96), undated
3 leaves
Ad van 't Veer to Mimi Johnson, 1988-01
Includes Festival Nieuwe Muziek schedule
Ad van 't Veer to Mimi Johnson, 1988-03
Includes Festival Nieuwe Muziek program (2 pages)
Adagio / From Sanscrit [formerly, Eighteenth Century], op. 10, no. 1[b], 1920
The collection includes music in manuscript and published editions for solo piano, voice and piano, various solo instruments with piano accompaniment, a few chamber works, scores for ballets and plays and orchestral music.
Included in her papers are extensive notes and musical examples used in her lectures on Russian music and dance. Additional programs, notes, and some correspondence are also included.
Adam lay i-bowndyn, 1955
Manuscript scores, business records, and correspondence that reflects AME’s repertoire of new American music by Green, Carl Ruggles, Halsey Stevens, and others, as well as the interactions Green had with many key figures in twentieth-century music, including John Cage, Henry Cowell, Charles Ives, Gunther Schuller, William Grant Still, Virgil Thomson, and many others.
Addio (Budapest: Editio Musica), 2002
Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.
Additional manuscript and printed scores
Opera in One Act : Libretto by John Vorrasi after a scenario by William Ferris (with sketches and notebooks)
Adele di Lusignano
Administrative Records
The New Music Chicago Records contain administrative records, correspondence, newsletters, publicity and promotional materials, clippings, and subject files.
Administrative records (1/2), 1982 - 1983
The New Music Chicago Records contain administrative records, correspondence, newsletters, publicity and promotional materials, clippings, and subject files.
Administrative records (2/2), 1983 - 1985
The New Music Chicago Records contain administrative records, correspondence, newsletters, publicity and promotional materials, clippings, and subject files.
Administrative records and correspondence
The New Music Chicago Records contain administrative records, correspondence, newsletters, publicity and promotional materials, clippings, and subject files.
Administrative records, Memos
The New Music Chicago Records contain administrative records, correspondence, newsletters, publicity and promotional materials, clippings, and subject files.
Administrative records of other organizations
The New Music Chicago Records contain administrative records, correspondence, newsletters, publicity and promotional materials, clippings, and subject files.
Adomian, Lan. La voluntad de crear tomo II (Ciudad Universitaria, México: Universidad National Autónoma de México), 1981
Books and booklets from Mario di Bonaventura’s personal library, most of which are inscribed and or autographed by the author or subject (in the case of some biographies).
Adoration for cello and piano, undated
Advent I (Year A) – 27th Sunday in Ordinary Time (Year A)
Psalms and acclamations for Sundays in the three-year liturgical cycle (indicated A, B and C) are included as well as for special services including feast days and other occasions in the liturgical calendar and the church's year. These materials are arranged chronologically according to the three-year liturgical cycle (A, B, C) with additional materials filed thereafter. They were originally housed in one file and have been rehoused in six archival boxes.